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Showing posts with label Iraq. Show all posts
Showing posts with label Iraq. Show all posts

Tuesday, July 11, 2017

Recurring patterns in Ceramic and Mosaic Arts in the Antiquity.



A pattern is a particular way in which something is done or organized, or in which something happens.


What is fascinating about them is that patterns seem to perdure possibly forever, once they have been set. 


This glazed tile, dated 875 - 850 BC is part of the collections of the British Museum. It was excavated from royal palace of the Assyrian city of Nimrud, which was first destroyed at the end of the 7th century BC and again by islamist terrorists in 2015.


Baked clay tile from British Museum Assyria Collection glazed and painted in yellow, green and black; an Assyrian king,(possibly Ashurnasirpal II) with cup in one hand and bow in the other, is accompanied by his bodyguard and attendants; it was probably part of a sequence showing the king as triumphant warrior and hunter; the king stands under a canopy with officers behind him; inscription erased; guilloche border; outline in black upon a pale yellow background.

The tile depicts an Assyrian king, possibly Ashurnasirpal II who reigned during the early 9th century BC, accompanied by soldiers and attendants.
Now what really got my interest when I first saw this picture was not the representation of another victorious king, (They never seem to represent losers. I wonder why ?) but the rounded decorative pattern of the border below the King.

A thousand year later Roman mosaicists laid this beautiful mosaic of a boxing scene from the Aeneid on the floor of a Gallo-Roman Villa in Villelaure (France) .

Boxing scene from the Aeneid, Sicilian champion Entellus defeats the young Trojan champion Dares. Blood spurts from Dares' injured head. Entellus sacrificed his prize, a bull, by landing a great blow to the animal's head. Both boxers wear cesti. Mosaic floor from a Gallo-Roman villa in Villelaure (France), ca. 175 AD.

Look at the Borders... 1000 years separate them...

Guilloche Decorative patterns from an Assyrian Royal Palace and a Gallo Roman Villa from Southern France



If you watch close, history does nothing but repeat 
itself... 


I'll be traveling to Europe for 3 weeks to visit my family and explore and study several Roman mosaics in France and build up my library of borders.  Stay tuned !


Frederic Lecut is a French mosaicist.
In 1992 he made Alabama his home.
His Art is about inspiring People.

You can contact him either 
by phone at (334) 798 1639 or email at 
You can also subscribe to his


Friday, August 12, 2016

Eyes of the Yezidis - Les Yeux des Yezidis


Early in 2015 I started working on a series of Portraits of the Eyes of Yezidis Refugees. I built 8 huge dramatic mosaics, using my new exclusive Opus Pixellatum Technique.

Here is the story behind these Mosaics. I hope this will get you interested in the Yezidi people.



To see more of my mosaics and learn about the work of the Free Yezidi Foundation to help the Yezidi on site, please visit our website : 




Debut 2015, j'ai commence a travailler sur une série de portraits d'yeux de refugies Yezidis. J'ai construit 8 grands et impressionnants portraits, en utilisant une technique révolutionnaire : Opus Pixellatum, mise au point pour cette occasion.

Voici l'histoire de cette collection. J’espère que cela vous intéressera au peuple Yézidi.






Si vous souhaitez voir plus de ces mosaïques ou découvrir comment la Free Yezidi Foundation aide les Yézidi sur le terrain, visitez nos sites : 





Yezidi 21 : Original Photograph / Photographie orginale




I m a French mosaic artist based in Alabama. My Art is about Inspiring people, I am presently working on these huge portraits of the eyes of Yezidi Refugees. If you are interested by my work, please contact me by phone at (334) 798 1639 or by email at frederic.lecut@mosaicblues.com
You can also subscribe to my NEWSLETTER




Je suis un Artiste Mosaïste installe en Alabama. Mon Art est a propos de l'Inspiration. Présentement, je travaille a ces grands portraits des Yeux de réfugiés Yézidis
  Si mon travail vous intéresse vous pouvez me contacter par téléphone au 334 798 1639 (aux Etats Unis), ou par email a frederic.lecut@mosaicblues.com
Vous pouvez aussi souscrire a ma Lettre d'Information



Wednesday, August 3, 2016

Genocide


Today, August 3 marks the second anniversary of the beginning of a Genocide.
On August 3, 2014, the forces of ISIS attacked Mount Shinjal and the barbarians began their campaign of Annihilation and Enslavement of the Yezidi people.
I build huge mosaic portraits of the eyes of Yezidi refugees to help them.


Yezidi 11 - English from Frederic Lecut on Vimeo.


Aujourd'hui le 3 Aout est le 2eme anniversaire du debut d'un Genocide. 
Le 3 Aout 2014 les forces de DAESH attaquerent le Mont Shinjal et commencerent leur campagne d'annihilation et de reduction en esclavage du peuple Yezidi.
Je construis de grandes mosaiques des Yeux de refugies Yezidi pour les aider.


Yezidi 02 - Francais from Frederic Lecut on Vimeo.



If you are interested by my Yezidi mosaics, please contact me by phone at (334) 798 1639 or by email at frederic.lecut@mosaicblues.com
You can also subscribe to my NEWSLETTER



Si mes mosaiques des Yezidis vous interessent vous pouvez me contacter par telephone au 334 798 1639 (aux Etats Unis), ou par email a frederic.lecut@mosaicblues.com
  Vous pouvez aussi souscrire a ma Lettre d'Information






Tuesday, April 19, 2016

Flipping Yezidi 36



A Dream Team of assistants - the whole Wiregrass Museum of Art Staff ! - helped me flip Yezidi 36 this afternoon !



Ichi


Ni


 San


Shi




Et Voila ! 


Yezidi 36 is a 18 x 50" Opus Pixellatum mosaic made of thousands of glass tesserae. It is part of my Yezidi portraits collection. 

This collection will be sold or auctioned  this summer to raise funds for the Free Yezidi Foundation, a non-profit organization dedicated to protect and support the most vulnerable members of the Yezidi community in Kurdistan.




I am a modern mosaic artist with a deep admiration for ancient Greek, Roman and Byzantine Arts. You can see other of my own mosaics on my site mosaicblues.
I believe artists should be deeply involved in their community, being local or global, and try to help people in need through their art.


 




To see more of these Yezidi mosaics and keep in touch with this project please follow my page Yezidi Mosaics Project.


You can also


Thursday, December 17, 2015

Yezidi 021 - All tiles laid


I completed this week end the laying of the black and white tesserae of Yezidi 021. This mosaic is part of a set of Yezidi Kids Eyes I am creating to raise awareness of the suffering of Yezidi Children persecuted in Iraq and Syria.





I am still to lay some different colours tiles for the border. I will do this in January, for I should find some really cool tiles in Europe for this ! 





Now, because I am using a different technique for these sets of eyes, I perfectly know the number of tiles I have used on this piece. And so I have a question for you :  

How many tiles did I use to create this mosaic ?


Answer Next January...



I am a modern mosaic artist with a deep admiration for ancient Greek, Roman and Byzantine Arts. You can see some of my own mosaics on my site mosaicblues.

 






If you are interested by this project or by my work in general 

or if you would simply like to drop me a line, please 

contact me by email at frederic.lecut@gmail.com  

or by phone at (334) 798 1639. 

 


   You can also










to receive regular updates on 
these Yezidi Eyes Mosaics  
& my other projects.

Friday, December 11, 2015

Yezidis 011 and 021


There are a few things I really do not like. Child abuse is one of them. And so child abuse on a large scale, such as what the Yezidis children is something that deeply saddens me. And I do not like what is happening to the Yezidis women who are systematically raped and sold in slavery by their captors eager to go back to their interpretation of the Arabian 7th century society.

I cannot fix greed, hatred and stupidity, but I can try to help. 

I already have created one portrait of one of these children. This portrait is at the welding shop right now to get its frame made, and I will publish it once it is complete, but you can get some idea from my November 12 post "Yezidi Eyes"

I am presently working on two more portraits. 

Here are the models : 

A little girl

Yezidi 011


And a young boy.

Yezidi 021

I am realizing these mosaics according to a new and very unique method. To my knowledge, nobody ever made mosaics this way. The mosaics are realized in black and white, using only tiny glass tiles of various shades of grey.


The result is unique and stunning, as you will see it very soon once the first piece comes back from the shop. 


For the time being here are 2 pictures taken on Dec 4. As you can see, I am working in a very different way from the usual.


Yezidi 011- December 4.

It is however, a reverse method on mesh similar as what I have done for my last Pomegranate Tree. At the time I am writing (Dec 7) I have progressed some more, but have had to stop for I am waiting for a shipment of tiles ! 


Yezidi 021, Dec 4.


These kids were able to escape the persecution. They are now hosted in camps in Turkey and Iraq, financed by the Free Yezidi Foundation.

My goal is to auction these mosaics sometimes in the spring to raise money to help the foundation. I will donate 50 % of the profit of the auction to this cause.  
I have no idea of the way to organize this, so if you like this project and would like to help or participate, please let me know at frederic.lecut@gmail.com, or call me at (334) 798 1639.

 
I am a modern mosaic artist with a deep admiration for ancient Greek, Roman and Byzantine Arts. You can see some of my own mosaics on my site mosaicblues.
 




If you are interested by this project or by my work in general 
or if you would simply like to drop me a line, please 
contact me by email at frederic.lecut@gmail.com  
or by phone at (334) 798 1639. 
 

   You can also





to receive regular updates on this
Yezidi Eyes Mosaic Project, 
and my other projects.
 

Thursday, November 12, 2015

YEZIDI Eyes


In Syria and Northern Iraq, Yezidi mens and boys are being massacred while Yezidi women and girls, some as young as 9 years old, are being sold, raped and enslaved by Islamic State terrorists who consider they are Devil worshippers.


Some of the Yezidi have been able to flee the horrors of the genocide, some are still in sexual slavery; some were killed; some committed suicide to escape their ordeal. 




The idea of these women and girls suffering is very distressing. The victims could be our wives, our sisters or our daughters.  But just lamenting the situation from my comfortable home in Alabama does not do much good. So I wondered if I could use my art to actually help.

2 month ago, I contacted a number of NGO involved in helping the refugees from Iraq and Syria. I  proposed to realize mosaic portraits of Yezidi Children. These portraits would then be auctioned to raise money. I would give 50 % of the profit to the cause. We would need lots of publicity around the event to raise public awareness of the situation of the Yezidi people.

The Free Yezidi Foundation in an international organization hosted in the Netherlands. It was started by Ms Pari Ibrahim, a remarkable Iraqi woman, and they are doing an amazing work. I have been in regular contact with their contact in the USA. 

I decided I had to do something special, something that had not been done before. I conceived a different way to build mosaics. I do not think anybody has ever worked like this before. The look of these mosaics will be unique. 

However, like for any new process, it requires experimentations and adjustments, discussion with various people. A friend helped me greatly to drastically improve my initial design process...

I realized a First prototype early in October. 

The first prototype.

Because the colours of some of the tiles I received from my supplier were slightly different from what I had ordered, I was not satisfied by the result. However, I realized that my concept was valid - the Right eye is beautiful.  I just needed to solve the problem of the tiles colours, 


I am now presently working on a Second prototype, I have increased the definition of my design.


The second prototype under construction.


I am building this mosaic following my regular reverse method. I decided to work in black and white at this time as it is a little easier to control the 
actual colours of the tiles. Hopefully I should have this second mosaic mounted by the end of November. 

I have learned a lot with these 2 first  prototypes. This type of mosaic has to be laid differently from what I usually do with bigger tesserae

If all goes well I will design several models in December and start working on them in January 2016.



 


My goal is to organize a sale by the end of Spring. I have no idea of the way we will be able to organize this, and all help will be welcome. If you like this project and would like to participate, please let me know at frederic.lecut@gmail.com, or call me at (334) 798 1639.

You can also visit the Free Yezidi Foundation site to lean more about their remarkable work, about the Yezidi themselves, their religion, their culture, the challenges ahead of them, and possibly make a small donation.

 


I am a modern mosaic artist with a deep admiration for ancient Greek, Roman and Byzantine Arts. You can see some of my own mosaics on my site mosaicblues.
 






If you are interested by this project or by my work in general 
or if you would simply like to drop me a line, please 
contact me by email at frederic.lecut@gmail.com  
or by phone at (334) 798 1639. 
 

   You can also







to receive regular updates on this
Yezidi Eyes Mosaic Project, 
and my other projects,

Friday, April 4, 2014

The Oldest Mosaic.


Cone Mosaic are the oldest type of mosaics known in the World. They were used in Southern Mesopotamia (present day Iraq) to decorate monumental raw mud-brick Palaces and Temples built between 3500 and 3000 BC.





This Cone Mosaic is formed by small cones made of baked clay which, pointed end first, were pressed tightly together into a wall coated with a thick layer of wet plaster. The flat ends of the cones were painted black, red, and white. 





Some of the most impressive examples are found at Uruk but this technique of decoration has also been found in many other cities such as Ur and Eridu as well as sites like Habuba Kabira in modern Syria.





The decorative patterns generally basic geometric shapes : lozenges, triangles, and straight and zigzag bands. 




It has been suggested that such designs were possibly based on patterns found in wickerwork and on textiles.



Such work was not only decorative but protective. The cones made of hard baked clay were protecting the raw mud-brick outer walls and pillars against erosion from wind and water during the cool and wet winters of Mesopotamia.