ISIS tried to sell me a Mosaic looted from a Syrian Museum.

In January 2016 I received through Facebook Messenger a message from Turkey. The author was offering to sell me a mosaic - supposedly excavated from the area of Hatay Antakya (Ancient Antioch) - which had been discarded by the archaeologists. The offer came with pictures. 

Screenshot messenger offer

When I saw how beautiful the mosaic was I could not believe anybody with common sense could have discarded it ! 

Mosaic offered to me through Messenger

I quickly suspected this piece had been stolen. 

I tried to engage the man trying to sell this piece.
He answered to me in Italian and suggested I get in touch with him though a WhatsApp telephone number.

Messenger Communication

In the meantime a search for "Roman Mosaic of Syria" brought up the description of the actual mosaic in the book "Mosaics of the Greek and Roman World" by Katherine M.D.Dunbabin.

Thetys from Shahba Museum

To Balty’s later group (of mosaics) from Shahba belongs an astonishing bust of the Sea-Goddess Tethys... Fish entangled in her hair, a sea dragon coiled around her neck, and she holds a steering oar. The figure of the Sea Goddess occurs frequently on mosaics of the region of Antioch, but never with the power shown here: almost to large for the frame, the figure dominates the small room where it is set. The characteristics of the «Constantinian renascence» are apparent in the broad smooth surfaces and the careful delineation, for instance of the wide opened eyes; but the combination of the massive force of the face and the restlessness of the dark hair makes this work of exceptional quality. Around it, a wide border shows Erotes in boats and fishing, on a sea marked by broad bands of colour.

From there I was able to find professional pictures of the mosaic and confirmed the piece had actually been looted from the museum.

Thetys mosaic stolen from the Shahba Museum in Syria

Detail of the stolen Thetys mosaic.

CBS News' article Following the trail of Syria's looted history describes how artifacts looted by ISIS or under the authority of ISIS regularly end up on the antiquities markets in London, Paris or even New York.

I went to the FBI website to report this matter and have not heard anything about it.

I am a French mosaicist living in Headland, Alabama, USA. My Art is about inspiring people. You can see some of my work  at www.mosaicblues.com 

You can contact me at (334) 798 1639 

or by email at  

frederic.lecut@mosaicblues.com

You can also subscribe to my

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3 mosaiques romaines : un chat, deux canards et une perdrix.

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L'etude des mosaiques romaines revele enormement de choses sur la vie quotidienne des nos ancetres, et egalement sur la maniere dont travaillaient les mosaicistes antiques.

Je suis persuade que nos ancetres utilisaient des livres - catalogues de dessins pour montrer a leur clients ce qu'ils pourraient executer pour eux. Sur ce sujet, j'ai ecrit il y a quelques temps un article sur la Mona Lisa de Galilee et sa copie.

Voici a present trois superbes pieces qui illustrent fort bien comment les artistes de l'Antiquite se copiaient, ou peut etre s'empruntaient les modeles de leurs oeuvres.

Mosaique de sol. Villa du quartier romain de Cecchignola

Emblème d'une mosaïque de sol représentant un chat et deux canards. Opus vermiculatum, œuvre romaine de la fin de l'époque républicaine, premier quart du Ier siècle av. J.-C. Visible au Musee national de Rome - Pallazo Massimo alle Terme 

Mosaique de sol, Maison du Faune, Pompei

Mosaique provenant du Triclinium de la Maison du Faune a Pompeii, visible au Musee Archeologique de Naples (Museo Archeologico Nazionale - inv. nr. 9993).

Mosaique de sol, Musee du Vatican

Mosaique de provenance inconnue visible au Musee du Vatican.

Ces trois pieces sont clairement apparentees. Leur architecture est similaire. Elles sont composees de deux tableaux superposes. Dans le tableau superieur, un chat attaque un oiseau, dans le tableau inferieur, deux canards vivants sont en accompagnes de divers mets - fruits, fleurs, fruits de mer et/ou petits oiseaux.

Ce type de mosaique "Emblema" etaient produits par des maitres artisans employes dans des ateliers tres specialises. Une fois terminees, elles etaient expediees pour etre inserees in situ au sein d'autres mosaiques de facture moins complexe.

Les experts s'accordent a penser qu'il devait au 1er siecle n'exister que deux de ces ateliers, probablement en Grece, et en Syrie ou Turquie.  

Je pense que les deux pieces de Pompeii et Ceccigniola furent executees dans le meme atelier, peut etre par le meme artiste, et que la piece du Musee du Vatican fut realisee plus tardivement par un artiste de moindre abilete. 

Comment les dessins passerent-ils de l'un a l'autre ? Je pense que les mosaicistes de l'antiquite disposaient de livres - catalogues de dessins transmis de Maitre a Apprentis ou copies, avec ou sans permission, par les artisans charges d'installer in situ les emblema expediees depuis l'atelier de production. 

Si vous avez des connaissances sur ce sujet, merci de bien vouloir les partager ! 

 Je suis un mosaïste Français 

vivant a Headland en Alabama 

dans le Sud des Etats Unis. 

J'aime inspirer les gens. 

Vous pouvez voir mon travail a

www.mosaicblues.com 

Vous pouvez me contacter 

par téléphone au (334) 798 1639 

ou par e-mail a  

frederic.lecut@mosaicblues.com 

Vous pouvez aussi vous abonner 

a ma lettre d'information  

MosaicBluesNewsletter

Muses, Mosaic and Music.

Did you know that the two words Mosaic and Music have a similar ancient Greek root "μουσ" (mous) ?

Both words are relatives to the Muses, goddesses of the arts. Themselves a favourite theme of classical Roman mosaicists !

The nine Muses mosaic of Kos (Rhodes Island)

"Music" comes from the ancient Greek “μουσικός” (Mousikos)

"Mosaic" was formed from the ancient Greek "μουσεῖον" (Mouseîon)

This video is an accelerated take of my building the Mugen mosaic, a portrait of my late Border Collie Mugen who died 3 years ago, realized in Opus Pixellatum. The music is from Beethoven, and it is interpreted by my 2 nieces Charlotte and Luana. So here, you have the best of the 2 worlds of music and mosaic, a family business ! 

If you would like me to build a model of a mosaic portrait of your pet please contact me at frederic.lecut@mosaicblues.com

I am a modern mosaic artist with a deep admiration for ancient Greek, Roman and Byzantine Arts.

You can see my own mosaics on my site at mosaicblues.  

If you are interested by my work or would like to drop me a line please contact me by email at frederic.lecut@mosaicblues.com 
or by phone at (334) 798 1639. 

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La Mosaique des Colombes d'Hadrien.

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La mosaïque aux Colombes fut découverte lors des fouilles de la villa d’Hadrien en 1737.

Mosaïque des colombes découverte en 1737 a Tivoli.

Alors que certains experts pensent que cette beauté est en fait la célèbre mosaïque des Colombes réalisée par le célèbre Sosus de Pergame au 2ème siècle av. J.-C. et mentionnée par Pline dans son Histoire Naturelle, d'autres la croient être une copie exécutée pour Hadrien au 2eme siècle de notre ère.

De très nombreuses copies de cette mosaïque furent créées tant durant l’antiquité qu'a l’époque moderne. D'antiques copies ont été retrouvées a Delos, Pompeii, Capoue ..

Mosaïque aux Colombes de Pompéi, 1er siècle

Dans des mausolées Chrétiens tels celui de Constance a Rome ou celui de Galla Placidia a Ravenne.

Mosaïque aux colombes ornée de svastiskas, Malte, 1er siècle

Mosaïque aux colombes d'Ostie, 1er siècle.

Mausolée de Galla Placidia, 5eme siècle

Pour moi, la plus belle d'entre elles est l'emblema découverte dans la villa d'Hadrien. Elle est composée de milliers de très petites tesselles de 2 a 3 mm de cote, une technique nommée opus vermiculatum, la plus sophistiquée de toutes les techniques d'assemblage de mosaïques. Un Fragment du cadre de cette mosaïque est expose au Musee d'Arles Antique cet été. 
 

Fragment de la bordure de la mosaique des Colombes

Les tesselles utilisées pour réaliser ce cadre mesurent au plus 3 mm de cote. On réservait généralement ce type de tesselles pour les pièces centrales - Emblema - et on utilisait des tesselles de tailles supérieures pour réaliser les bordures en Opus Tessellatum. Hadrien était un protecteur des Arts. Ce type de chef d’œuvre n’était produit que dans un petit nombre d'ateliers hautement spécialises de l'Empire. 

Toutes ces variations sur un même thème nous donnent une autre indication de la manière dont les anciens musivarii travaillaient. Je suis persuade qu'ils disposaient de livres ou rouleaux de modèles a montrer aux architectes et clients pour qu'ils fassent leur choix. Dans certains cas, plusieurs thèmes pouvaient être utilises au sein d'une même mosaïque. J’écrirais plus longuement une autre fois au sujet du perroquet que vous pouvez voir dans le coin inférieur droit de la mosaïque d'Ostie. 

L'une des raisons pour laquelle je visite tous ces musées et sites archéologiques Européens est que je suis en train de composer une collection de motifs géométriques utilises par les mosaïstes Romains. 

Exemple de motif cree dans ma collection.

Tout cela prend pas mal de temps car certains d'entre eux sont forts complexes... Ils sont toutefois magnifiques et apportent a la pièce centrale qu'ils bordent la profondeur et l’intensité qu'un cadre flamboyant peut apporter a une peinture. 

 Je suis un mosaïste Français 

vivant a Headland en Alabama 

dans le Sud des Etats Unis. 

J'aime inspirer les gens. 

Vous pouvez voir mon travail a www.mosaicblues.com 

Vous pouvez me contacter 

par téléphone au (334) 798 1639 

ou par e-mail a  

frederic.lecut@mosaicblues.com 

Vous pouvez aussi vous abonner 

a ma lettre d'information  

MosaicBluesNewsletter

Mosaic Art - Portrait of a German Shepherd.

Here is an other example of a gorgeous opus pixellatum mosaic pet portrait.

Amy Galbavy is the owner of Sassy Glass on line. We met last April in Atlanta where I was teaching a class on Opus Pixellatum Mosaic Portraits.

Amy and her eyes mosaic portrait.

After the class, Amy asked me to realize for her models for 3 mosaics, One of her beautiful daughter and two of her late German Shepherds who had passed not long before that.

She sent me pictures of them and I got in my design mode.

Jet was her male Shepherd.

Jet, Male German Shepherd

From this picture I created 3 different grayscale models and eailed them to Amy so she would chose the one she best liked.

3 modes of pixellizations

Amy went for the top model. The mosaic was to be 16 x 16", realized with 8mm tiles (5/16"). 

I created the actual model and e-mailed it to Amy. 

First page of the model

Because she had decided to print it herself I had formatted the model to be printed on 8 standard letter size sheets (8.5 x 11").

The 8 pages model.

Although the model was realized in Grayscale, Amy used a Sepia scale of colors to realize her mosaic. 

The mosaic completed by Amy.

One of the beauties of this technique is that it allows for many variations from a same model. (See my article about Daniel Adams)

I will create for you a model of a mosaic of your pet as I did for Amy. This printed model comes with a list and quantities of the tiles needed and instructions to carry out the work. 

I am a French mosaicist

living in Headland, Alabama, USA.

My Art is about inspiring people.

You can see some of my work at www.mosaicblues.com

You can contact me either by phone 

at (334) 798 1639 or by email at 

frederic.lecut@mosaicblues.com

 

You can also subscribe to my

MosaicBlues Newsletter

 

A mosaic portrait of Mugen, Border Collie extraordinaire.

About 12 years ago, I fell in love with Tosca, my sister’s Border Collie !

Tosca in Saint Valery sur Somme, France.

About a year later, a friend of mine having located a breeder with puppies not to far from home,  I went there to look at them. I wanted a black and white female like Tosca. I ended up with a Red Male...

Mugen, 3 month old.

I named him Mugen – a Japanese words meaning Endless or Infinity.

A loving and cheerful companion, Mugen had an endless creativity. Life never was boring around him ! 

Mugen loved water and destroyed a few water hoses...

Extremely loving and sociable, he knew everyone in the neighborhood and everybody knew him, cooked for him, invited him to play, drive, spend the night and they would drive him home. I was just known as Mugen’s Dad...

Mugen, 5 years old

When Mugen accidentally died in 2014 I was heartbroken...

Since I have this year created several mosaic models of beloved pets for their owners, I decided to build a mosaic to celebrate Mugen’s memory, based on the above picture of him.

This is the picture I worked from :

Mugen's Eyes.

Using my Opus Pixellatum technique to realize this project, I created a model and had it printed.

Opus Pixellatum model for the Mugen Mosaic.

I installed the model under a sheet of transparent vinyl on a bench in my studio. 

The model under its vinyl sheet.

I cut a piece of fiberglass mesh to be glued on top of it (the dark rectangle on the bench above the model)

And started to glue my tesserae on top of the mesh. 

The Mugen Mosaic, first tesserae laid.

I first lay every other tesserae, because it helps the glue set faster, and also because it allows me to later use - if I decide to do so -  colors different from what is called by the model. This is one of the many variations allowed by Opus Pixellatum. 

Mugen Mosaic, 50 % of tesserae laid. 

At this stage, I have to lay the remaining tesserae, I will use some iridescent tiles in lieu of the regular ones to complete the piece. Once everything is set, I will remove the enmeshed mosaic from the model, glue it to its support, and grout it. That will happen in the next article...

Tiles used for this mosaic are 8 mm recycled glass tiles from Mosaic Art Supply

If you would like to build yourself a mosaic portrait of your pet, I will create a model of it from your picture. This printed model comes with a list and quantities of the tiles needed and instructions to carry out the work. 

Beside the fact that such mosaic will end up costing you a fraction of the cost of a regular piece, you will have the great joy and satisfaction of building yourself a faithful and long lasting portrait of the beloved creature who faithfully shares or shared your life ! 

I am a French mosaicist

living in Headland, Alabama, USA.

My Art is about inspiring people.

You can see some of my work at www.mosaicblues.com

You can contact me either by phone 

at (334) 798 1639 or by email at 

frederic.lecut@mosaicblues.com

You can also subscribe to my

MosaicBlues Newsletter