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Saturday, March 4, 2017

Mosaique Fiesta 2017


Et voila, plus que 4 semaines et nous organiserons notre premiere edition de Mosaic Fiesta en la belle ville de Decatur (a cote d'Atlanta), en Georgie.




J'ai recu les photos de nombreux participants et suis presentement en train de realiser les modeles qu'ils utiliseront pour batir une mosaique de leurs propres yeux en utilisant ma technique Opus Pixellatum.


Ma derniere creation Pixellatum: Timeo Danaos et dona ferrentes


Je suis tres fier de partager publiquement cette nouvelle technique. C'est une chose a laquelle je tiens beaucoup. Je pense que lorsque vous creez une technique nouvelle, vous devriez la partager, au moins partiellement, avec le reste de votre communaute, afin que les gens puissent l'essayer, en detecter de possibles faiblesses et eventuellement l'ameliorer pour le bien etre commun. Je sais que d'autres personnes ne sont pas d'accord la dessus, mais c'est ainsi que je pense. 



Une petite video...


Joe Moorman, de Mosaic Art Supply sera notre hote pour cet evenement, et nous allons nous efforcer de faire en sorte que tout se passe dans une ambiance agreable et amusante. 

Pour en savoir plus  :
Email Joe a : inspire@mosaicartsupply.com 
Appelez  Frederic a : (334) 798 1630






Frederic Lecut est un mosaiste francais.

Il est alle s'insteller en Alabama en 1992.
Il s'efforce d'inspirer les gens par son art



Vous pouvez le contacter soit

par telephone au (334) 798 1639 ou par email a




Vous pouvez egalement 
souscrire a sa lettre d'information


 

Our first Spring Mosaic Fiesta is coming up...


There, we are just 4 weeks away from our Mosaic Fiesta in Beautiful Decatur, GA.




I received pictures of most participants to the seminar and am presently making the models they will use to create a mosaic of their own eyes using my Opus Pixellatum technique.


My last Opus Pixellatum piece: Timeo Danaos et dona ferrentes


I am very excited at sharing this technique for the first time. This is very important to me. When you come up with a new technique you should - at least partially - share it for free with other people so they can experiment with it and possibly make it better. I know not everybody thinks this way, but I do. 





The event is hosted by Joe Moorman at Mosaic Art Supply and we will do everything for it to be a very pleasant and fun experience for all

Learn More  :
Email Joe at : inspire@mosaicartsupply.com
Call Frederic at : (334) 798 1630






Frederic Lecut is a French mosaicist.
In 1992 he made Alabama his home.
His Art is about inspiring People.

You can contact him either 
by phone at (334) 798 1639 or email at 

You can also subscribe to his
 

Sunday, February 19, 2017

Dirty Business


Once you have flipped a mosaic, you remove the model and the mesh if you used one and see your work for the first time. Covered with dried up glue...

That pesky white glue is covering most of your tesserae in a varnish-like translucent coat.


 
Blue Carole, just flipped.



The glue needs to go ! 

Easier said than done...

Over the years I've slaved over the damn glue ! I've tried many ways, spent many many hours in the shower, scrubbing with various metallic and plastic brushes and scouring pads. Which actually works well, but it could take me up to 5 hours to properly clean one piece, that is lots of time to spend in a shower ! 

I once even tried to use a different kind of glue. One that the Romans were using: a flour based glue. I thought that glue might be easier than the synthetic water soluble one I had been so far using.

And yes, flour glue is very easy to eliminate. It dissolves beautifully in water. Unfortunately, it is also edible and I paid dearly for this... 

As I had one night just completed my Miriam mosaic.




I found it ravaged the next morning... A hungry rodent had liked the taste of my glue... (The little bastard soon died on my studio's floor where I found him. He did not digest well the shards of glass ingested with the glue)




I repaired the damages and stayed away from edible glues afterwards...

Having reverted to my White Elmer's Glue, I tried various chemicals. Vinegar, Hypochloric acid, Caustic Soda (NaOH), Drano, and possibly a few more I do not remember. In a few cases I created colorful fumes and almost choked to death. The shower still remained my best and safest option...

Then I had one of my brilliant ideas and purchased a pressure washer. Used at the right angle, this thing did wonders, allowing me to clean a 16 Square foot piece in 1 1/2 hour. 




The pressure washer is basically fantastic with 3/4" or bigger tesserae. 

But if you work with smaller tesserae the water jet easily lifts some of them and sends them flying all over the place, and the time spent in repairs may offset the time saved by using the pressure washer.

For my 3/16" tesserae, I decided last fall to try hot water. I boiled a big pot of water, poured some on my mosaic and scrubbed with steel wool. The glue went away nice and clean ! It worked beautifully, and this is now how I clean up my pieces.




I have one other mode of operation I'd like to try one day, but for the time being I am very satisfied with my hot water...






Frederic Lecut is a French mosaicist.
In 1992 he made Alabama his home.
His Art is about inspiring People.

You can contact him either 
by phone at (334) 798 1639 or email at 

You can also subscribe to his
 

 






Monday, February 13, 2017

Carole's Eyes Series


Every morning begins with the animals, group hug with Tomoe and Itto.

​

Then we go together feed the chickens (the ones you hear in my videos) and pick up the eggs. 

As I have to walk through my studio to get to the chickens coops, I generally stop for a while to lay a few tesserae...



I'm presently working on an other pair of eyes. The same eyes, with variations, Variations on Carole's eyes !  I realized I like working on series; you take a design, a beautiful one, and then you create several pieces based on it to express different feelings, moods, or ideas. 


 



I completed the first Carole's Eyes last December, but it fell from its wall while I was gone and got damaged. This kind of stupid things happen, it was my fault. I am restoring her now, she will look just as good as before. She'll look great, the greatest ever, believe me...



​


Blue Carole, the second of this series, is almost complete, I still have to grout and frame her. She will be there by the end of the month...


And presently, I am working on 2 more variations. I played with colors, and added borders to them, the same kind of borders the Romans loved to use.  Why do you think I'm traveling all around the countries that were once part of the Roman Empire ?


​


This is Greek Carole Sepia. On the bench. I am building her reverse method like I do 98 % of my pieces. She is a mix of Opus Pixellatum and Opus Tessellatum. 


The frame is a very important enhancement for a painting. It attracts and focus the eyes of the amateur. Unfortunately you cannot frame a mosaic with a painting kind of frame. For the past 4 years I have been using 3/16" steel welded frames. They are an excellent way to structurally reinforce my mosaics, but aesthetically they bring nothing like a frame does to a painting. So I decided to follow the Masters by incorporating the frame in the mosaic itself !


Fish mosaic from Pompeii, 1st century AD


So here you have the model of Greek Carole Sepia...


And here is a Bluesier Carole. The original idea, it will be different. Opus Pixellatum allows me to improvise, and I am going to fully take advantage of this fantastic opportunity.


This one will incorporate more vegetal patterns, Acanthus leaves, possibly  wisteria cascades...


I am currently experimenting with layered models. Instead of creating one very complicated model I create several of them and use them as layers, just like you can in a program create an image by combining several graphic layers. Some layers pixellatum, some tessellatum...


So you see, I am very inspired by modern technology to realize my pieces. 

  • The theme or subject is always shrouded in a mysterious aura !  What's behind the Eyes? What's behind the Mirror of the Soul ? What's behind the Scouts of the Heart ? 
  • The Aesthetic is enhanced by 2nd century AD border patterns and ,
  • Techniques based on 21st century graphic softwares allow for a dreamatic new type of mosaics. (Yes, "dreamatic", it's new, its great, it's dreamlike, it's dreamatic ! believe me...)
  •  





Frederic Lecut is a French mosaicist.
In 1992 he made Alabama his home.
His Art is about inspiring People.

You can contact him either 
by phone at (334) 798 1639 or email at 

You can also subscribe to his



Sunday, January 29, 2017

Mosaic Fiesta : An Opus Pixellatum Class in Atlanta



I will be teaching this spring a 3 days class (Friday night, Saturday, Sunday morning) about my Opus Pixellatum Technique.



During this class open to 12 students only, you will create a naturalistic portrait of your own eyes. 


Course Project

Each student will create a 7 inch x 17 inch mosaic portrait of their own eyes, or the eyes of a friend, relative, etc. The portrait will be created from a photograph using my Opus Pixellatum technique.


Cost
The cost of the event is $275 per person, which includes the cost of all materials.


Tentative Date

The class will be a weekend event (Friday, Saturday, and Sunday) for 12 people, and  The class is tentatively scheduled for March 24, 25, and 26th in Decatur, Georgia.  
Please email inspire@mosaicartsupply.com to reserve your slot or express interest in a later date.


The Venue
The class will be held in Decatur, Georgia, one of the most livable cities in the US. Decatur’s old courthouse square filled with fine dining and boutiques, plus a MARTA train station that provides stress-free access to the Atlanta Airport. The course will be held at the Mosaic Art Supply warehouse, which is less than 2 miles from the Decatur Square.

 

Schedule of the Event 


Two Weeks Before

Two weeks before the event, students need to email us the photograph that they will use as a model for their mosaic. Frederic will use this digital photograph to create the pattern for your mosaic and determine the colors and quantities of tiles needed.


Friday Night

Arrive and check in at your hotel. Meet and greet with Joe Moorman, Frederic Lecut, and the other students over dinner in Decatur Square.


Saturday

From 9am to 1pm, students will lay out their designs on the patterns. Following a long lunch, we will transfer the mosaics to their backers. Throughout this process, there will be discussion of how to use the Opus Pixellatum technique as a point of departure for incorporating stylistic elements beyond the pattern and other aspects of mosaic composition.

 

Sunday

Grout the mosaics. Farewell and departure.

 

Reserve Your Slot !

Spaces in this class are limited.  Please email inspire@mosaicartsupply.com to reserve your slot or express interest in a later date. Once the date is confirmed, we will be collecting non-refundable payments of $275 for the course.





Frederic Lecut is a mosaic artist based in Alabama. 

  His Art is about Inspiring People.

 


For more details about his Opus Pixellatum signature technique or if you are interested by his work, you can contact him by phone at (334) 798 1639 or by email at frederic.lecut@mosaicblues.com

 



You can also subscribe to his NEWSLETTER



Friday, January 27, 2017

Pan Pan Pan Pan ! (Air connu)


Read this Post in ENGLISH



Plusieurs fois par an, je travaille à la commission pour des collectionneurs. Dans une mosaïque personalisée, le collectionneur a l'inspiration originale et est souvent impliqué dans la conception. Nous travaillons ensemble. C'est une expérience très enrichissante, j'apprécie vraiment la discussion et les echanges de vues entre nous. Nous apprenons à mieux nous connaître; au-delà de la mosaïque elle-même, c'est une relation que nous construisons.





Je connais Liz et Marty depuis plusieurs années. Marty la surprend toujours avec des cadeaux tres originaux. Pour ce Noël, Liz voulait le surprendre. Et donc, en octobre dernier, elle m'a demandé si je pourrais - en douce - faire une mosaïque juste pour lui!

Pan and Syrinx (1617-19) - par Pierre Paul Rubens


Elle avait en tete un portrait du dieu romain Pan, dont Marty a touours apprecie la personnalité sauvage et créative.


Liz souhaitait une mosaïque dans le style romain classique.



Pan et Amadryad - Pompeii

J'ai dessine quelques avant projets. Les teintes delicates et puissantes de cette magnifique piece m'inspiraient beaucoup .




Liz et moi avons finalement decidé d'interpreter une interprétation médiévale du Dieu cornu.




Cette partie du projet - la communication entre artiste et collectionneur - est une partie très importante du processus. Il est primordial d'arriver a bien se comprendre. J'essaie de saisir la personnalité du collectionneur, sa motivation et son goût pour lui proposer quelque chose qui réponde vraiment à ses besoins et à son mode de vie.

Une fois d'accord sur le principe de la conception, je me suis mis au travail.

J'ai décidé d'utiliser pour mon modele une bordure de style classique. Les bordures sont a la mosaique ce que le cadre est au tableau. Elles font converger le regard de l'observateur vers le sujet principal - l'Emblemata - au centre de la mosaïque. Les Musivarii romains utilisaient systematiquement ce type de parure dans leurs oeuvres.

El Djem - Tunisie, 2nd siecle avant JC.



Pan étant - entre autres choses - un dieu des forêts et des arbres, je choisis d'utiliser une bordure de feuilles de Laurier.




Et pour le fond, je m'inspirai des arabesques du superbe arbre de vie de Maitre Gustav Klimt.





Le 14 Octobre, je posai mon modèle sur l'etabli et me mis a l'ouvrage !


October 14, C'est parti !

Durant la pose, je tenais Liz au courant en lui envoyant des photos, vidéos, des détails sur la pièce, afin qu'elle puisse en visualiser la progression.
 


Detail de la bordure


Le 9 novembre, apres avoir posé toutes les Tesselles...





Je pre-scellai la piece.








Le 15 Novembre, Liz est venu a l'atelier Mosaicblues à Headland pour retourner sa mosaïque!







Le retournement d'une mosaïque realisee en méthode inversee est un moment très émouvant car on y voit la mosaïque pour la première fois. C'est un peu comme la première fois qu'une belle femme se déshabille, un moment unique et plein de suspens ! On sait jamais a quoi s'attendre !

Après le retournement, je nettoyai la colle, appliquai le joint, l'imperméabilisai et encadrai la pièce.



Pan, le 24 Novembre 2016


Et le jour de Noël, TADA ! Marty a découvert son Pote Pan!



Pan & Marty, le 25 decembre 2016

  

Des mosaïques personnalisées de ce type sont souvent offertes lors d'anniversaires personnels ou de mariage, ou pour la fete des Meres. Ce sont des cadeaux inhabituels et spectculaires.

Il faut compter entre 2 et 3 mois entre le moment où un collectionneur me contacte et l'achèvement d'une mosaïque et je ne peux créer que quelques-unes de ces pieces chaque année.

Et donc, si vous êtes intéressé par une telle mosaïque, s'il vous plaît contactez-moi au moins 3 mois avant la date pour laquelle vous souhaitez,








Frédéric Lecut est un mosaiciste français.
En 1992, il est alle s'installer en Alabama.
Il essaie par son art d'inspirer les gens.


Pour rester en contact avec lui,
Veuillez vous abonner à sa