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Showing posts with label Dothan. Show all posts
Showing posts with label Dothan. Show all posts

Friday, May 6, 2016

Dothan Eagle Article



Just wanted to share with you this cool article about the Show Made in Alabama hosted by the Wiregrass Museum of Art.  I feel very honoured to have been chosen to be part of this exhibition, in company of 7 other very talented artists.

"Made in Alabama"

Exhibit puts spotlight on Alabama Art. 

 

By Peggy Ussery - Accent writer - The Dothan Eagle

Friday, May 6, 2016

 

"Grenadier Tree of Life" by artist Frederic Lecut,  

From Butch Anthony’s funky creations to Katie Baldwin’s woodblock prints and Cal Breed’s glass sculptures, the collection of Alabama art currently on display at the Wiregrass Museum of Art covers a variety of mediums.
“Made in Alabama” will be at the Wiregrass Museum of Art through June 25.

The eight featured artists are not all Alabama-born, but they all currently live and work in Alabama. The exhibit was timed with the Alabama Department of Tourism’s Year of Alabama Makers, a marketing campaign highlighting the state’s craftspeople, musicians, writers, designers, artists and even brewers, distillers and food producers.

“Alabama’s known for food, music and, of course, sports,” said Lara Kosolapoff-Wright, the museum’s communications coordinator. “I think people are amazed when they learn about all the incredible artists who are nationally-known, internationally-known, living in our state.”

Here is a look at the eight artists in the Dothan exhibit:

Butch Anthony, Seale
Folk artist Butch Anthony is known for his bizarre creations that often incorporate found objects. He has a drive-thru museum off U.S. 431 in Seale, just north of Eufaula, as well as the Museum of Wonder containing found oddities. For a price, you can have a plaster cast of a supposed Bigfoot footprint or a feather from the World’s Oldest Chicken. On Fridays, Anthony hosts the Possum Trot junk auction.
On his website, www.museumofwonder.com, Anthony clearly states that he only builds “weird stuff.”
His mixed media pieces on display in the “Made in Alabama” exhibit include prints of the famous “Pinkie” and “Blue Boy” paintings with Anthony’s odd touch ‒ skeletal drawings over the paintings.

Katie Baldwin, Huntsville
A printmaker and book artist, Katie Baldwin used a traditional Japanese woodblock technique, known as moku-hanga, to create her pieces on display at the Wiregrass Museum of Art. An assistant professor of art, Baldwin teaches printmaking at the University of Alabama in Huntsville.
As an artist, Baldwin has exhibited in Tokyo, Japan, as well as Philadelphia and San Francisco. Her work is also in permanent collections, including the Library of Congress in Washington, D.C.

Doug Baulos, Birmingham
Dictionary pages, porcelain, thread and found objects are listed as the materials used in Doug Baulos’ piece “White Winter Wreath.” It’s a large piece comprised of multiple objects, including a semi-circle of birds clinging to the wall.
Baulos is an assistant professor of drawing and bookmaking at the UAB College of Arts and Sciences. In his work, he uses pages from old printed dictionaries, which are decreasing in numbers with the shift to online dictionaries. The pages become nests for birds and wreaths in Baulos’ art. His work is described as a reflection loss, mortality and memory.

Cal Breed, Fort Payne
With 20 years of working with glass, artist Cal Breed finds inspiration for his blown glass sculptures in the natural world.
His pieces in the “Made in Alabama” exhibit include “Walnut,” a very large glass walnut (juxtaposed with the real thing), a glass-and-enamel pieced called “Pineheart,” and the lunar-inspired “Wax and Wane.”
“It’s like the moon and a dinosaur egg all at the same time,” Kosolapoff-Wright said.
Breed and his wife, Christy, opened Orbix Hot Glass in 2002. There, the artist creates both his art sculptures as well as functional pieces such as pitchers, vases and bottles, ornaments and paperweights.

Natalie Chanin, Florence
A clothing designer from Florence, Natalie Chanin is the founder and creative director of Alabama Chanin, a company known for its sustainable practices and described as a company based on “slow design” principles.
Alabama Chanin uses organic cotton and creates clothing designed and sewn in Florence. The business also features a store that sells home products such as kitchenware, aprons, cookbooks, bedding and ceramics. A café serves lunch and dinner. Workshops are held throughout the year, catering to sewers and crafters.
Chanin’s pieces featured at the Wiregrass Museum of Art are hand-sewn organic cotton jersey. In a rich indigo color, the fabric features hand-stitched designs.

Frédéric Lecut, Headland
Born on the northern coast of France, Frederic Lecut moved to Alabama in 1992. He began working with mosaics in 2003 after meeting a mosaic artist in Provence. In that time, Lecut has used his skill on community projects and public art installations.
Lecut created his pieces “Red Scarf” and “Grenadier Tree of Life – Alchemy” with colorful tiles for an almost stained-glass appearance.
Along with Lecut’s own mosaic art, the exhibit includes workshops hosted by the Wiregrass Museum of Art on May 12 and May 26. Attendees will produce smaller pieces to be used in a larger installation.

Miriam Norris Omura, Birmingham
Born in England, Miriam Norris Omura weaves and unweaves images taken from photos to give her pieces their impact.
The artist uses family photos as well as found photos for her dyed woven portraits, sometimes even incorporating the original photo into the woven work.
The result is striking. Omura weaves the image from a photograph, unweaves it and then weaves it again for a blurred double image. The portraits have the ghostly feel of a faded family photograph.

Debra Riffe, Birmingham
A Tupelo, Mississippi, native, Debra Eubanks Riffe uses her linoleum block relief prints to depict African Americans in rural Southern scenes. Inspired by the Mississippi of her youth, Riffe’s prints of everyday life stand out against the white printmaking paper she uses for a canvas.
She has collaborated with Amos Paul Kennedy Jr. on a project about civil rights activist Fannie Lou Hamer.
Riffe’s work is featured in the permanent collections of the Freedom Rides Museum at the Historic Greyhound Bus Station in Montgomery and at the National Historic Landmark 16th Street Baptist Church in Birmingham.



I am a modern mosaic artist with a deep admiration for ancient Greek, Roman and Byzantine Arts. You can see some of my own mosaics on my site mosaicblues.


 




If you are interested by my work in general  or if you would simply like to drop me a line, please 

contact me by email at frederic.lecut@gmail.com   

or by phone at (334) 798 1639.  You can also







Friday, October 16, 2015

Wiregrass Mosaic Project - Troy University


On Sunday October 10, and Thursday October 15, I led 4 free mosaic workshops at Troy University Campus in Dothan. October is a gorgeous month in Alabama, and we were working under a tent graciously installed there for the occasion by the University Staff.





Our goal with this project  is to demonstrate the technical feasibility of community mosaic projects by quilting together a great number of small individual mosaics.

Altogether, about 40 people came to enjoy the cutting and laying of tesserae on a mesh.








We had one 3 hours session on October 10, and three 2 hours sessions on October 15.




There were only 2 patterns proposed for these 2 first sessions.  A Traditional Roman geometric one : 






And a Malta / St Andrew's Cross




We actually spent 9 hours tiling and produced 56 individual brightly coloured 6 x 6" mosaics.


The individual pieces at the Library.


The next stage of the project will be the installation of these pieces on the rectangular table and benches in the park.





After that, we will have more sessions to realize the mosaics needed to cover the Round tables and benches. 




We need your help for the next stages !

If you would like to help and participate, or learn more about this Project, please contact :

  • Donna Miller by email at dmiller@troy.edu or by phone at (334) 983 6556 ext 1321, or

 

I am a modern mosaic artist with a deep admiration for ancient Greek, Roman and Byzantine Arts. You can see my own mosaics on my site at mosaicblues.
 





If you are interested by my work or would like to drop me a line please contact me by email at frederic.lecut@gmail.com or by phone at (334) 798 1639. 



 You can also
(and I recommend it !)





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Thursday, September 17, 2015

Mosaic Project - TROY University


On Sunday October 10, from 2 to 5 p.m., I will lead the first FREE workshop  of our next Wiregrass Mosaics Project at the Troy University in Dothan. A second workshop will follow on Thursday October 15, from 9 a.m. to 4 p.m.

Our goal with this project  is to demonstrate the technical feasibility of community mosaic projects  by quilting together small individual mosaics.

In community mosaic projects, often, one big mosaic is realized by a team of individuals working together on a big mosaic.



      
A group snail mosaic






In our case, individuals will realize their own mosaic, which will later be quilted together to realize a much bigger piece. 



An individual snail mosaic


Once we have demonstrated our technical and organizational ability, we will be in a position to launch bigger projects involving much more people in the Wiregrass Area.

In this first stage, our goal is to cover with mosaics concrete furniture installed behind the Malone Hall. 


They include :


4 round tables & 12 round benches






1 rectangular table & 2 rectangular benches



Only the tops of the tables and benches will be covered with mosaics, the rest of the furniture will be painted.


On October 10 and 15, we will hold 5 workshops of 10 to 15 people each, to realize the individual mosaics. The participants will work from printed designs.


Later in October we will set the mosaics on the furniture.

I have organized similar projects over the past 2 years with the Wiregrass Museum of Art and the Headland Chamber of commerce.







In May 2015 at the Headland Spring Festival, 20 small (6 x 6”) mosaics were realized by  children between the age of 7 and 12, some of them with the help of their parents.  We only used black and white ceramic tiles.
 




At Troy participants will mostly be adults: students of the University, and volunteers from the outside.  We will use the same type of ceramic tiles we used in Headland, only  in 10 different colours.

As I explained in an earlier post, I believe Art is the best way to develop creativity in people, because they can immediately see the result of their own creativity; and our world will need creators.

What is also very important is to help people realize what they can do as a group. Here, every individual makes a little mosaic, that little mosaic may not look very fancy by itself...




… But when you put side by side in an harmonious way all these little pieces, you get an amazing result.

 




This is why I like the concept of individual mosaics rather than having a group working on one big piece. In a group, the less assertive individuals might not be able to express themselves.


These workshops are open to students and teachers of Troy University AND  to the general public.

We would love to have you come join us, participate, and learn how to do these mosaics.

I will need much more participants for our 2016 projects, and am hoping to train people needed to lead small mosaic teams.

You need however, to REGISTER to participate so we can properly plan the workshops.




 

To Register and/or for more information, please contact :

  • Donna Miller by email at dmiller@troy.edu or by phone at (334) 983 6556 ext 1321, or





 See you in October !

Saturday, March 22, 2014

The Maze of Mosaics


On March 19, 2014, I had the pleasure to give a lecture about the building of the Nativity Labyrinth at the Wiregrass Museum of Art.

In 2004, by an unusual concourse of circumstances, I began building a 42 foot diameter Labyrinth in the cloister of the Church of the Nativity in Dothan, AL.






The Labyrinth is a very ancient symbol. Bronze Age engravings from around 4000 BC are reminiscent of it. Today's labyrinth are used as meditation and prayer path by spiritual seekers and as playground by children.

It took 14 month to complete the work. A great number of stones had to be cut and laid... This long lasting effort triggered something in me; inside and outside.

While working at this project, I met in France Jean Pierre Soalhat. His amazing mosaic work impressed me enormously. 



I decided to give a try at mosaics.

One of the first pieces I produced was a table inspired by the Labyrinth of the Chartres Cathedral.




The rest is history... Over the past 10 years I have greatly improved my technique and produced very different pieces. My first love however is still the Classical Roman style...

More of my mosaics can seen on my website mosaicblues. Some of my work is available for sale. I also work on commission. Together we will design your dream piece. A table, a mural, a floor piece which you and your family will enjoy for a very long time... 


If you would like to discuss the building of a labyrinth or commission a mosaic, please contact me at frederic.lecut@gmail.com



Sunday, April 29, 2012

MosaicBlues Show at Troy University in Dothan

These are the times and days to visit the MosaicBlues Show at Troy University in Dothan, Alabama. 22 pieces are displayed in the Library : 

Monday-Thursday: 8-9; Friday: 8-12; Saturday: 10-5; Sunday 1-5.

One eye of the Mystery Lady

The Mystery lady - you'll be able to see her at the show, but she cannot be seen on line...


Green eyes - one of your favourites, is also on display at Troy.