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Showing posts with label Wiregrass Museum of Art. Show all posts
Showing posts with label Wiregrass Museum of Art. Show all posts

Friday, May 6, 2016

Dothan Eagle Article



Just wanted to share with you this cool article about the Show Made in Alabama hosted by the Wiregrass Museum of Art.  I feel very honoured to have been chosen to be part of this exhibition, in company of 7 other very talented artists.

"Made in Alabama"

Exhibit puts spotlight on Alabama Art. 

 

By Peggy Ussery - Accent writer - The Dothan Eagle

Friday, May 6, 2016

 

"Grenadier Tree of Life" by artist Frederic Lecut,  

From Butch Anthony’s funky creations to Katie Baldwin’s woodblock prints and Cal Breed’s glass sculptures, the collection of Alabama art currently on display at the Wiregrass Museum of Art covers a variety of mediums.
“Made in Alabama” will be at the Wiregrass Museum of Art through June 25.

The eight featured artists are not all Alabama-born, but they all currently live and work in Alabama. The exhibit was timed with the Alabama Department of Tourism’s Year of Alabama Makers, a marketing campaign highlighting the state’s craftspeople, musicians, writers, designers, artists and even brewers, distillers and food producers.

“Alabama’s known for food, music and, of course, sports,” said Lara Kosolapoff-Wright, the museum’s communications coordinator. “I think people are amazed when they learn about all the incredible artists who are nationally-known, internationally-known, living in our state.”

Here is a look at the eight artists in the Dothan exhibit:

Butch Anthony, Seale
Folk artist Butch Anthony is known for his bizarre creations that often incorporate found objects. He has a drive-thru museum off U.S. 431 in Seale, just north of Eufaula, as well as the Museum of Wonder containing found oddities. For a price, you can have a plaster cast of a supposed Bigfoot footprint or a feather from the World’s Oldest Chicken. On Fridays, Anthony hosts the Possum Trot junk auction.
On his website, www.museumofwonder.com, Anthony clearly states that he only builds “weird stuff.”
His mixed media pieces on display in the “Made in Alabama” exhibit include prints of the famous “Pinkie” and “Blue Boy” paintings with Anthony’s odd touch ‒ skeletal drawings over the paintings.

Katie Baldwin, Huntsville
A printmaker and book artist, Katie Baldwin used a traditional Japanese woodblock technique, known as moku-hanga, to create her pieces on display at the Wiregrass Museum of Art. An assistant professor of art, Baldwin teaches printmaking at the University of Alabama in Huntsville.
As an artist, Baldwin has exhibited in Tokyo, Japan, as well as Philadelphia and San Francisco. Her work is also in permanent collections, including the Library of Congress in Washington, D.C.

Doug Baulos, Birmingham
Dictionary pages, porcelain, thread and found objects are listed as the materials used in Doug Baulos’ piece “White Winter Wreath.” It’s a large piece comprised of multiple objects, including a semi-circle of birds clinging to the wall.
Baulos is an assistant professor of drawing and bookmaking at the UAB College of Arts and Sciences. In his work, he uses pages from old printed dictionaries, which are decreasing in numbers with the shift to online dictionaries. The pages become nests for birds and wreaths in Baulos’ art. His work is described as a reflection loss, mortality and memory.

Cal Breed, Fort Payne
With 20 years of working with glass, artist Cal Breed finds inspiration for his blown glass sculptures in the natural world.
His pieces in the “Made in Alabama” exhibit include “Walnut,” a very large glass walnut (juxtaposed with the real thing), a glass-and-enamel pieced called “Pineheart,” and the lunar-inspired “Wax and Wane.”
“It’s like the moon and a dinosaur egg all at the same time,” Kosolapoff-Wright said.
Breed and his wife, Christy, opened Orbix Hot Glass in 2002. There, the artist creates both his art sculptures as well as functional pieces such as pitchers, vases and bottles, ornaments and paperweights.

Natalie Chanin, Florence
A clothing designer from Florence, Natalie Chanin is the founder and creative director of Alabama Chanin, a company known for its sustainable practices and described as a company based on “slow design” principles.
Alabama Chanin uses organic cotton and creates clothing designed and sewn in Florence. The business also features a store that sells home products such as kitchenware, aprons, cookbooks, bedding and ceramics. A café serves lunch and dinner. Workshops are held throughout the year, catering to sewers and crafters.
Chanin’s pieces featured at the Wiregrass Museum of Art are hand-sewn organic cotton jersey. In a rich indigo color, the fabric features hand-stitched designs.

Frédéric Lecut, Headland
Born on the northern coast of France, Frederic Lecut moved to Alabama in 1992. He began working with mosaics in 2003 after meeting a mosaic artist in Provence. In that time, Lecut has used his skill on community projects and public art installations.
Lecut created his pieces “Red Scarf” and “Grenadier Tree of Life – Alchemy” with colorful tiles for an almost stained-glass appearance.
Along with Lecut’s own mosaic art, the exhibit includes workshops hosted by the Wiregrass Museum of Art on May 12 and May 26. Attendees will produce smaller pieces to be used in a larger installation.

Miriam Norris Omura, Birmingham
Born in England, Miriam Norris Omura weaves and unweaves images taken from photos to give her pieces their impact.
The artist uses family photos as well as found photos for her dyed woven portraits, sometimes even incorporating the original photo into the woven work.
The result is striking. Omura weaves the image from a photograph, unweaves it and then weaves it again for a blurred double image. The portraits have the ghostly feel of a faded family photograph.

Debra Riffe, Birmingham
A Tupelo, Mississippi, native, Debra Eubanks Riffe uses her linoleum block relief prints to depict African Americans in rural Southern scenes. Inspired by the Mississippi of her youth, Riffe’s prints of everyday life stand out against the white printmaking paper she uses for a canvas.
She has collaborated with Amos Paul Kennedy Jr. on a project about civil rights activist Fannie Lou Hamer.
Riffe’s work is featured in the permanent collections of the Freedom Rides Museum at the Historic Greyhound Bus Station in Montgomery and at the National Historic Landmark 16th Street Baptist Church in Birmingham.



I am a modern mosaic artist with a deep admiration for ancient Greek, Roman and Byzantine Arts. You can see some of my own mosaics on my site mosaicblues.


 




If you are interested by my work in general  or if you would simply like to drop me a line, please 

contact me by email at frederic.lecut@gmail.com   

or by phone at (334) 798 1639.  You can also







Saturday, April 16, 2016

The WMA Mystery Mosaic


With the precious help of my good friend Greg Henderson, I designed last fall a new way to design and build mosaics. I named it Opus Pixellatum in reference to the digitalization of the design.

I will develop the concept in a next post. Asian Face is a good illustration of an Opus Pixellatum mosaic




My whole Yezidi Eyes collection is realized in Opus Pixellatum. 







Now, beginning this next Thursday, April 21st, at the Wiregrass Museum of Art, YOU - the public, will have the opportunity to build an Opus Pixellatum mosaic - the Mystery Mosaic - all by yourself ! 

I designed this Mystery Mosaic after a famous portrait. Measuring 4' x 4', this is the biggest mosaic I ever designed. I even had to build a special platform to work on it ! 





The principle is simple : it is basically Mosaic by Number ! Beside the colourful borders I already laid, the mosaic is composed of several thousand 3/4" x 3/4" glass tiles. There are seven different colours numbered from 1 (Pitch Black) to 7 (China White). These tiles are to be glued on the model, following the numbers printed on it. 






The mosaic is built reverse method : the tiles are laid upside down, on a mirror image of the actual finished mosaic. Once all the tiles are laid, a supporting frame is glued on top of the mosaic, then flipped, and one can see the mosaic for the first time ! 

Platform and Model have been installed in the downstairs hall of the Wiregrass Museum of Art.




Beginning on Thursday, April 21, and the duration of the "Made in Alabama" show, visitors to the Museum will have the opportunity to carefully and precisely glue the tiles on the model.



 

This being a Mystery Mosaic, I told no one (not even my daughter, ho was not pleased about it !) whose portrait the mosaic is and you are all encouraged to figure it out. 

Regular updates of the progression will be posted on a special WMA Mystery Mosaic Facebook Page.

Join us this coming Thursday at the Art after Hours event, and glue some tiles ! 

I am a modern mosaic artist with a deep admiration for ancient Greek, Roman and Byzantine Arts. You can see some of my own mosaics on my site mosaicblues.


 







If you are interested by this project or by my work in general  or if you would simply like to drop me a line, please 

contact me by email at frederic.lecut@gmail.com   

or by phone at (334) 798 1639. 
 
 
You can also






Note : tiles used for the Mystery Mosaic are provided by Mosaicartsupply in Atlanta, GA.


Saturday, May 16, 2015

Spring Mosaic Workshop - Kids class


On Friday March 27, we held a Children mosaic workshop at the Wiregrass Museum of Art.




I believe Artists have a responsibility to help others be creative. Too many kids are being told they cannot be creative, that Art is useless and for weirdoes,  that they should rather concentrate on having a real job... And making money.

And there is nothing wrong in making money. Without entrepreneurs, few things would be achieved in this world, and Art could not flourish. 

But guess what ? Do you remember the names of those people who were making money 500 years ago? Take the Italian Renaissance, the 16th century. They invented modern banking. Entrepreneurs from Genoa and Venice invented financial instruments such as the letter of credit, and this really was the beginning of the finance industry. Do you remember these guys names ? I don't ! 

But you probably know the artists they helped finance: Leonardo da Vinci, Botticelli, Michelangelo, etc...

This why Art is important. Art is what you SEE. And tomorrow's Art will be done by today's children. 

That is why I teach mosaics ! 

For a few weeks I prepaired the class. My goal was simply to get people to realize how mosaics were done. Technique rather than the creative aspect, so I had pre-designed some models.


And we would use square tiles we would not need to cut !


Material for the 6' Solomon Knot mosaics

The models were square variations of a classic Roman mosaic pattern : the Solomon knot.


Aquileia Basilica, Italy


At 9:00, all 9 students were presents, most of them chaperoned by an adult helper, and after a short introduction, we proceeded with the actual work.

















I had decided to use laminated models for this projects, so the students built their mosaics on a fiberglass mesh, which would be later transferred onto a wooden piece.



Mosaic is a work of patience and accuracy, we were using 3/8" glass tiles glued on the mesh with regular white glue.













The students ranged from 7 to 13 years old. Most of them were accompanied by an adult. Who seemed to enjoy the class as much as their kids !






It is amazing how you can at such a young age already see great differences of personality in the way children organize - or not - their works, prioritize certain tasks or simply go for it !

















We had 2 different models of Solomon knot, and used 6 different colours of tiles.





It took most students a little more than 2 hours to complete the project. At the end, the pieces were warmed up with a Hair-dryer to speed up the gluing process.










After they were complete, I collected the 9 pieces on their laminated support .

9 complete mosaics on their models.


and transferred them on their wooden support. 

9 complete mosaics on wood.


Some students had modified the designs, and it is a good thing ! Life would be boring if everyone would look the same ! Moreover, the point of such a class is not to realize a perfect piece, but to get the student to enjoy themselves. If you insist too much on the end result, you will probably lose all pleasure at doing anything. And the key to doing things well is to enjoy doing them...


I am a modern mosaic artist inspired by the Arts of Classical Rome and French and Italian Renaissance. I design and realize my mosaics in Headland, Alabama, and St Valery sur Somme, France. I hope this kind of action can help young people realize they too can be creative and that art is not some far away thing, only accessible in Museums but that they too can be artists and enjoy it.



If you enjoyed this post, please Subscribe to my Newsletter to get the last news about Classes, Materials, Techniques and Sources of Inspiration of modern and antique Mosaic Artists and Patrons !



 



You can also see more of my work at mosaicblues.com.






Wednesday, March 11, 2015

Spring Mosaic Workshops - Part I


I will be leading 2 Mosaic workshops at the Wiregrass Museum of Art this coming Friday, March 27. The theme of these workshop will be the Solomon Knot, an ancient pattern often met and used in traditional Roman mosaic. 
Aquileia Basilica, Italy.

Classes will be: 
9 am - 11 am : Kids Class: ages 7 to 13 (children must be accompanied by an adult). Class limited to 15 children.
Each kid will realize a 6 x 6" Solomon knot mosaic according to one of the two patterns below (There will be 7 kits of one pattern and 8 of the other pattern)
6 x 6" Solomon knot - Pattern #1
and 
6 x 6" Solomon knot - Pattern #2


1 pm - 4 pm : Teen & Adult Class: ages 14 – adult. 

Class limited to 10 students, Each student will realize a 10 x 10" Solomon knot mosaic according to one of two patterns (There will be 5 kits of each pattern)
10 x 10" Solomon knot - Pattern #1

10 x 10" Solomon knot - Pattern #2

Pieces will be ready for pick up from the Museum on Saturday afternoon.


For Information and Registration, please contact the Wiregrass Museum of Art (334)-794-3871


I am a modern mosaic artist inspired by the Arts of Classical Rome and French and Italian Renaissance. I design and realize my mosaics in Headland, Alabama, and St Valery sur Somme, France. I hope this kind of action can help young people realize they too can be creative and that art is not some far away thing, only accessible in Museums but that they too can be artists and enjoy it.



If you enjoyed this post, please Subscribe to my Newsletter to get the last news about Classes, Materials, Techniques and Sources of Inspiration of modern and antique Mosaic Artists and Patrons !



 



You can also see more of my work at mosaicblues.com.



Saturday, March 22, 2014

The Maze of Mosaics


On March 19, 2014, I had the pleasure to give a lecture about the building of the Nativity Labyrinth at the Wiregrass Museum of Art.

In 2004, by an unusual concourse of circumstances, I began building a 42 foot diameter Labyrinth in the cloister of the Church of the Nativity in Dothan, AL.






The Labyrinth is a very ancient symbol. Bronze Age engravings from around 4000 BC are reminiscent of it. Today's labyrinth are used as meditation and prayer path by spiritual seekers and as playground by children.

It took 14 month to complete the work. A great number of stones had to be cut and laid... This long lasting effort triggered something in me; inside and outside.

While working at this project, I met in France Jean Pierre Soalhat. His amazing mosaic work impressed me enormously. 



I decided to give a try at mosaics.

One of the first pieces I produced was a table inspired by the Labyrinth of the Chartres Cathedral.




The rest is history... Over the past 10 years I have greatly improved my technique and produced very different pieces. My first love however is still the Classical Roman style...

More of my mosaics can seen on my website mosaicblues. Some of my work is available for sale. I also work on commission. Together we will design your dream piece. A table, a mural, a floor piece which you and your family will enjoy for a very long time... 


If you would like to discuss the building of a labyrinth or commission a mosaic, please contact me at frederic.lecut@gmail.com



Tuesday, March 5, 2013

The Art of Healing : A Visual Arts Benefits

The Afghan Girl's Eyes  and Maribel's Eyes  have been selected into The Art of Healing : A Visual Arts Benefits of the Southeast Alabama Medical Center Foundation.



The show will be held this coming June at the Wiregrass Museum of Art





Both pieces are for sale. I am presently working on two other pairs of eyes, and am available to take commissions...

Tuesday, June 19, 2012

Quetzal at the 2012 Biennial of the WMA

Quetzal has been selected to be displayed during the 2012 Biennial event organized in July 2012 by the Wiregrass Museum of Art in Dothan, Alabama.




Quetzal was inspired by a Art Deco leather book cover. The original piece was a "Marquetterie" - where leather strips of various colors were inlaid in the main red piece. Quetzal measures 18 x 25" (45 x 63 cm). Quetzal's materials are stained terracotta, irridized glasses and gilded mirrors.





The Replendent Questzal is the national bird of Guatemala. It's name comes from the Nahuatl "quetzalli" and means "Large Brilliant Tail Feather"...